And it’s time for me to shill for Undertale again… sort of. Really I’m just revamping another one of my old DeviantArt journal entries. Previously, I mainly covered “Battle Against a True Hero“ but I would like to cover all of Undyne’s themes these time. Note, I’m not talking about just her battle themes either. I’m never the one to leave any stones unturned after all.
Undyne is definitely my favorite character from Undertale. What is there not to like about a lesbian fish woman who loves violence and anime? Hell she actually somewhat reminds me of a certain someone I know IRL. I won’t say who, but just know that if I compare you to this person then you’ve already won me over. Anyway, let us get started.
Note: This was originally posted as a DeviantArt journal entry on August 16th 2015
So I have decided on one specific song I felt the need to talk about for a while. This week’s VGM comes from the eroge, Nekopara Vol 1.
Now this song sound like a very sweet and beautiful track; one that actually uses a loud base instrument to a good effect that makes the song stronger than if it was just the softer instruments. As a composition, it is a very simplistic track, yet it serves its effect very well. So one may be wondering what type of scene a song like this would be playing during; why during the scenes where you are screwing your catgirls of course.
God Phantasy Star III was such a weird game. Its setting seemed to be this weird cross between medieval and futuristic yet never was really set on one, the plot was barely prevalent but what little prevalence it did have was of the “WTF” variety, the poor testing and rushed design ended up with a lot of exploitable bugs or just odd occurrences such as a random enemy that was given that absolute highest possible stats and was stronger than the final boss… but could still be beaten relatively quickly cause it has the same amount of health. The game is an absolute mess and I cannot help but find it fascinating even if the game itself is ungodly tedious.
The music is something that also contributes to the surreal nature of the game. The soundtrack obviously tried to go for a more orchestral approach but trying for symphonic on the Genesis sound chip ends similarly to trying to tell Razorfist he’s wrong; they both just kind of implode on themselves at the mere thought of the possibility.
The resulting soundtrack is one full of tracks that are in the realm of “sometimes work but sometimes don’t.” Some tracks such as “Laya’s World” are actually Read more
So, some may have noticed I missed last week’s Amazing VGM entry AND that this week’s is late. The reason is because I want this to be the final article of the year for me. One of the key features of this blog is that it’s not just a game review blog, but it is also an outlet I put a lot of myself into. Ever since birth, I had strong handicaps in the social area and with communication that still impact me to this day. It just never felt safe to tell anyone about my passions or my experiences with games because I always felt like others didn’t understand them. Yes, other people my age played games to but they were all normies and you know how they are.
I use this blog as a why of not only expressing just how much these games mean to me and how much I think about them, but I also like to talk about how they made me who I was. The biggest irony I have seen is that there was a time where I was insecure about being a gamer and felt judged for my hobby, and now I continually take shots at the gamerbro crowd, despite the fact that gaming likely means more to me than it does them
So, we all agree that Mega Man X music kicks ass right? I mean, how can someone think otherwise. I’ve already talked about Spark Mandrill’s theme from the first Mega Man X, but it’s the Christmas err fuck, I mean holiday season, and I am totally being forced to say “holidays” instead of Christmas against my wishes due to political correctness gone mad and not just poking fun at an overused joke. Yeah yeah I know, no one actually cares which one I use except for the easily offended MAGAtards and Trump himself, which makes me want to keep saying holidays in and of itself. Unfortunately even I can’t manage THAT level of contrarianism when I actually do celebrate Christmas.
Anyway, i just put that tangent there because I need enough content before I put the “read more” break in. Read more
It’s the Christmas season everyone, and a bunch of other stuff if you are of another faith that doesn’t matter, because this is Trump’s Amurica now, and we say Christmas here! Irony aside, it’s always going to be Christmas to me despite hardly being much of a Christian anymore. So many people are always cynical about this time of year but I seem to be one of the only ones who still believe in the true Holiday spirit. Oh and also the presents help, gotta love that commercialism. However, what probably does foster cynicism about the Holidays is hearing those same damn songs every year. I’m sure that they were good when they first came out, but one can only take year after year of ” ROCKIN’ AROUND the CHRISTMAS TREE AT THE CHRISTMAS PARTY HOP!!!!!!!!!!!” before it starts to get grating as fuck.
NieR is always going to have a special place in my heart. The original and its sequel Automata were the first two games to be reviewed on this site. Granted, neither of them were originally written with this site in mind and this was mainly because I had just put out the review of Automata at the time so I wanted the original up for context, but regardless, both games are special to me, if one couldn’t tell based on how often I reference them. I also consider both titles to have some of the strongest soundtracks in gaming. I decided that, while I am in the habit of re-writing old entries that I will revamp mine on “Emil’s Theme.” Yes, I know that is not the official name of the song, but the official name has a spoiler involved so that’s what I’m going to call it.
Note: This article was originally posted as a DeviantArt journal entry on December 30th of 2016, and has been revised and edited. I add this to make not that 2016 for me, like many others, was a very depressing and soul crushing year. I played Undertale for the first time at the start of the year, but later went back to it amidst the stress of the election, and it helped me immensely. Thus, this game has a very special place in my heart, and this is likely my favorite track from the game, which is really saying something.
Yes, I am covering something from Undertale as an Amazing VGM for the third time, and I see no reason not to. Playing Undertale was one of the few good things I could salvage from this horrible year in terms of personal experiences. It was a game I enjoyed so much that I played it 5 times this year, when I rarely ever replay games at all nowadays due to my enormous game backlog. And it’s soundtrack is the best I have ever heard in gaming, period. It shows something when there are so many amazing songs in this game, that something like Reunited does not catch nearly as much attention as them.
Welcome to this week’s VGM. I have decided that I would go with something that is from a game especially nostalgic to me, Final Fantasy VII. Of course, I’m never one to go with the predictable tracks like “One Winged Angel” or “Aerith’s Theme” or even slightly less common but still talked about tracks like “Still More Fighting” and “The Great Warrior.” The first track that comes to mind when I think of Final Fantasy VII is either “Interrupted by Fireworks” (which I honestly find more beautiful and emotionally moving than “Aerith’s Theme”) or “Holding My Thoughts in My Heart.”
Holy shit, how the fuck did I stay away from this series for as long as I have? I actually don’t know if I have even written about Neptunia for this blog yet, although I have mentioned it plenty of times. I absolutely adore this series, and seeing someone bashing it for being nothing but fanservice is an instant trip to my shit list. That’s not even a joke, seeing someone bash a series like Neptunia or Senran Kagura as being nothing other than fanservice just because it HAS fanservice tells a lot about their personality; mainly that they are misogynists who think women are “degrading themselves” if they ever show skin and that they project their own sexism onto anyone who has a sex drive, and I can only assume you’re a shitty person if you are this shallow minded. It is because of this that I got so pissed at Jed Whitaker and why I despise Jim Sterling.
The truth is that the Hyperdimension Neptunia series is one of the most pro feminist video game series of all time (ignoring the shitty harem spinoffs that is). To have such a strongly developed cast of female characters in an age where AAA developers need to virtue signal their inclusion of a single female protagonist as a key advertising point is incredible. This is something that I could go on and on about for hours, but it is not the point. Among the many incredible aspects of this series is its music.