Actually knowing of and playing a game like (Mario) The Music Box – ARC feels special in and of itself. I consider myself somewhat of an explorer when it comes to games. I focus less on whatever games everyone else says are good and more so the idea that you never know what you are going to get. A game like (Mario) The Music Box is already pretty weird simply because it’s a horror game starring the video game equivalent to Mickey Mouse, but the sequel is unique enough that it would stick out even without the Mario universe attached to it.
Note that this piece will contain MAJOR SPOILERS for (Mario) The Music Box – ARC!! I’m willing to bet a fair number of you haven’t played this game, so if you have any interest in doing so then it is strongly recommended that you DO NOT read the rest of this piece.
Surprise surprise, an Amazing VGM from a game I just reviewed. Really keeping you on your toes aren’t I? Well what can I say, I don’t plan most of these out in advance and instead just go with what I’m most feeling, and I’m feeling Banjo-Kazooie right now. It also helps that Banjo-Kazooie has an amazing soundtrack, and there will likely be plenty of themes from this game for future entries, but I may as well start with the one that sets everything else up. Read more
Yeah I kinda fell out of the habit of making Amazing VGM Pieces haven’t I? The last one I did was for The Dark Colossus Destroys All from NieR and that was back in October. Perhaps I should capitalize on the game I just reviewed then? Dragon Quest II it is! Particularly I would like to go with the two world map themes and their variations. The first of these tracks is titled “Distant Journey” (Also sometimes referred to as “A Lonely Youth”) and plays on the world map with an incomplete party and is thus the first one you here.
Ah yes, three of my most shilled games in a row for Amazing VGM. I’d normally do something from Saya no Uta since I just reviewed it but I kinda hinted at this one last week so I better follow through. Anyway I’ve been meaning to touch on this one for a while since it really is an amazing track from an amazing game.
NieR is known for its outstanding music after all, so it’s time to cover a track that was good enough they made it twice! Starting with the original. Read more
As great as the soundtrack to LISA: The Painful was, its DLC episode LISA: The Joyful fucking OWNS it! My favorite boss theme from The Joyful is the final boss theme Brokentooth March, but the subject of this article is a pretty close second. The title is kinda weird since America doesn’t exist in Olathe but I suppose “All Olathian Badass” just doesn’t have the same flair to it.
Well it’s that time of the year everyone… no not that one. I mean the other that time of the year! Either way, my Amazing VGMs are all going to be Halloween themed for this month to fit the theme. I figure I’ll start with an Undertale track this week since I just put my review of it up and because I’m likely not going to be in the mood to cover this particular track for a while afterwards. Read more
It’s been a little while since I covered a track from NieR as an amazing VGM hasn’t it? The last one I did was “Weight of the World” from NieR Automata and that was at the end of December of last year. This time, I’m going to cover one of the more underutilized and thus underrated boss tracks in the original game; “Gods Bound By Rules.” Read more
Expect me to do a lot of stanning for LISA: The Painful in the future. It really is a work of genius in just how it conveys the painful nature of Brad’s existence through its gameplay. But this piece isn’t about the gameplay, it’s about the music that accompanies part of the gameplay. Specifically this piece plays during boss battles against former friends. SPOILERS below! Read more
Get all your Undertale references out of the way now because lord knows this blog has enough of them as it is!
Many of the Final Fantasy spinoffs tend to be overlooked. Most of us are looking for the best of the best when we seek out new games, and thus most would assume that the mainline entries are better than the spinoffs. When a series has been milked as much as Final Fantasy has, you know that the games that aren’t numbered entries may be forgotten in the conscience of the mainstream gaming community. I mean sure the first Final Fantasy Tactics is remembered as a classic but you don’t hear as much about the two sequels; Tactics Advance and Tactics A2: Grimoire of the Rift.
People disliked Tactics Advance because it wasn’t as edgy or “mature” as the original since it dealt with a bunch of school children being transported to a fantasy world as opposed to the politically driven nature of the original Tactics, but I find myself more attached to Tactics Advance than the original. Granted this could be because I only saw the original Tactics through a let’s play which makes it harder to keep track of things, and it could be possible that once I rectify this I may change my mind, but the point is that I like Tactics Advance. Read more
This week’s VGM is a special track. This track has an especially notable significance to me in not only how it sounds, but also what it represents. In the past I have often made Amazing VGM pieces that connect to me personally in regards to my very own struggles in life, I believe that games have a very significant personal element to them that many are often discouraged from sharing for not being “objective,” and I feel this greatly undermines the medium as a whole.
Anyway this week’s track is from Persona 3, a flawed game in many ways but nonetheless one of my all time favorites. I have been replaying this game and I’ve just about reached the end of The Journey portion of the game. While I find the overall musical output of Persona 3 rather average, there are some standout tracks that have a very deep and meaningful impact when you hear them. This track is one of those.