Euphoria: A Feminist Analysis – Sadistic Torture Porn, Or Brutal Allegory? (NSFW)

Euphoria | Nemu and Keisuke

Disclaimer: Rather than putting up a usual content warning at the start, I’m just going to say that if you are sensitive to any strong content and will be negatively affected, then I would not advise reading this article. I briefly talked about the content of the game in my original review, but this article is about to go a lot further into detail. There will also be far more elaboration on the plot related and thematic concepts present, which really just makes everything ever more disturbing.

If you read further on and end up seriously scarred by the content, I will not be paying for your therapy bills, but I will feel very bad about it. Also, there will be spoilers for every major plot event in Euphoria.

Ever since I completed Euphoria, I have thought about it over and over. My review was over 5k words  but I still left a lot of stuff untouched. I have been considering writing more analytical pieces referring to more philosophical and abstract aspects of games rather than straight up reviews. I say this because I have the tendency to notice a lot of tiny details that most don’t. Furthermore, these types of analyses are typically reserved for more mainstream titles and not niche Japanese shit (especially in the eroge category).

I briefly mentioned in my review of Euphoria how well it portrayed a mentally ill protagonist in a way that most western games will never even attempt. The reason is likely because the Japanese are much more lax on sexuality than westerners are and are less likely to write off an entire game because it has sexual content. The truth is that Japanese eroge have significantly more attempts at being more than fap fuel than what most westerners are accustomed to. Allow me to talk for a second about why pornography has the reputation it does. Read more

Fangame Review: Mother: Cognitive Dissonance

I have been a fan of the EarthBound series for many years at this point. I first became a fan from watching various lets plays of the game back around 2008 or 2009, because at the time I knew nothing about roms and emulators, and I clearly could not afford a copy of EarthBound. After having been moved by both EarthBound and Mother 3, I was enamored with the series for several months to the point of near obsession. As such, the series was very influential to my experiences as a gamer, despite me having experienced them over a decade after EarthBound’s release.

I didn’t end up playing EarthBound on my own until I bought a cart myself despite the huge price, and I’m still glad I have a physical copy seeing as how it’s my favorite game of all time, and I only played Earthbound Beginnings last year when it was released on the Wii U e-shop. Hell I still have not legitimately played Mother 3 and am waiting until its inevitable e-shop release to do so (although as I said, I have seen let’s plays of it and know enough to say that’s it’s pretty much a masterpiece) Read more

Riddled Corpses EX (PS4/XONE/Vita): Grindy yet Kickass Twin Stick Action (Detailed Review)

Riddled Corpses EX | Title Screen

The last two twins stick shooters I reviewed were… kinda shit. Those two games were Hatred and Venusian Vengeance. The former was a soulless cash in whose only claim to fame was shallow shock value that can only effect the most sheltered of individuals, and the latter was an ugly looking and tedious “retro throwback” with plodding level design. Riddled Corpses EX thankfully bucks this trend by being a good game.

I should clarify that I have not touched the original Riddled Corpses and that this version (the PS4 version in particular) was my first introduction to this title. The changes to the original game from what I looked up include an additional story mode, an engine that runs at 60 FPS, character stats, a new soundtrack (or possibly two depending on whether or not the unlockable metal arrangement were in the original game), online leader boards, a revamped combo system, two player co-op (online, but not local), and less grinding. Read more

Fangame Review: (Mario) The Music Box

(Mario) - The Music Box | Title Screen

TW: References to violence, gore, suicide, cannibalism, child abuse, and murder.

Though I have yet to play many of them, I have always held a special interest in fan games. It is especially interesting to see what fans can do with an existing property with nothing other than their own money and free time, and it is especially noteworthy how many have managed to create an experience on par with or better than the original creators can.

Or you could be like (Mario) The Music Box and have nothing to do with Nintendo’s flagship series aside from having Mario and Luigi in it. It’s quite fitting that “Mario” is in parentheses in the title of this game because this game is not really about Mario. Of course one can get the impression that the last type of game that would be appropriate for Mario is a Corpse Party clone, but even still there is so little that has to do with the Mario series involved. Read more

Quick Review: Contraption Maker (PC)

Contraption Maker | header

This is a review that I have been meaning to get to for quite some time yet has been put off for absolutely forever. There was a fairly brief period where I had patrons get to choose reviews for me as a reward on Patreon. There were only three games that were chosen. One of them was of Worms Reloaded, a game I reviewed a while back that no one else seemed to really care about. That game was something I would not normally be interested in but I reviewed it because my then patron John Dolan gifted me a copy on Steam. He also did the same with Contraption Maker.

Yeah, this was why I stopped having review requests as rewards. It just kept getting put off because I normally play these games based on my own level of interest. Contraption Maker just isn’t really the type of game that interests me in concept, and now that I’ve played it, I wouldn’t say it interests me gameplay wise either. Read more

The Interview (PC): Possibly the Worst Game of All Time (Detailed Review)

The Interview | title screen

I’d like to start this review off by apologizing to both The Fullbright Company and The Quinnspiracy for my reviews of their games. Gone Home and Depression Quest were the only games I reviewed to score a one out of ten before this one. While I stand by my opinion that both of them are terrible games, I honestly found The Interview so appalling that I do not feel that it deserves the same score as those two games. When I reviewed Gone Home, I made a statement about how there were likely plenty of games that were objectively worse than it despite the scathing nature of the review. I cannot say the same about The Interview. The Interview has got to be among one of the worst games released in this generation, and possibly of all time. The games accomplishes this not only in its lack of quality, but just in its offensiveness and how it represents nearly all of the worst aspects of modern indie gaming and even more.

I am going to start this review out by trying to sum up what few good qualities I can with this game, as tiny and insignificant they may be. To be honest though, the only good thing I can really come up with is that the title theme is pretty nice. Granted it sounds like something that may have been from the public domain, but I’m not going to dwell on that and will take what I can get. The rest of the possible positive aspects are ones that you really need to stretch in order to consider a good quality. You would literally need to MAKE the game entertaining in order to enjoy this. At best, you will end up spending 2 dollars for a twenty minute game with no real gameplay or storyline that just leaves you confused; and that is only if the game successfully tricks you into believing it went over your head. Read more

Amazing VGM: The Dark Colossus Destroys All (NieR)

Ah yes, three of my most shilled games in a row for Amazing VGM. I’d normally do something from Saya no Uta since I just reviewed it but I kinda hinted at this one last week so I better follow through. Anyway I’ve been meaning to touch on this one for a while since it really is an amazing track from an amazing game.

NieR is known for its outstanding music after all, so it’s time to cover a track that was good enough they made it twice! Starting with the original. Read more

Steam Greenlight Landfill: The Path

The Path | Logo

The Path is…. weird. I was considering just not reviewing this game because normally it doesn’t look like good form to say “Fuck I don’t know” in a game review, but that’s basically my thoughts on The Path in a nutshell.

For those unaware, The Path was the first major title of the indie studio Tale of Tales. Tale of Tales is basically the equivalent of if Coda from The Beginner’s Guide actually existed and sold his games. This was a major issue I had with the first game they released, known as The Graveyard. The Path is an improvement over The Graveyard in that there is actual longevity and an overarching story to it. There is actual shit to do and some aspects that are almost kind of like a game. But The Path is not any more enjoyable to play than The Graveyard. Read more

Saya no Uta (PC): Between Two Worlds (Detailed Review) (NSFW)

Saya no Uta | Boxart

How many of us have looked at another person and thought “this person is seriously fucked up?” One would assume that us all being human would mean we have a single common thread that unites us; that all of us can relate to and feel comfortable living among each other. In an ideal world this would be the case, but in reality we are often divided and thus alone.

We judge our comfort with other people based on how similar they are to ourselves and we distrust those who have fundamental differences in how we view the world. We all have different backgrounds, different experiences, and different belief sets that determine just how we see the universe, the people, and the experiences around us. Saya no Uta is a game about these differences; a game about how we are all different, and how we are not so different.

Just to give people a heads up, Saya no Uta is a dark game with some disturbing themes and subject matter. While Saya no Uta is an eroge with some dark content, I would not place it in the same category of sex focused eroge as Euphoria or Starless. There are some graphic and disturbing scenes in Saya no Uta, but I would classify it more as a psychological horror story than a nukige. Despite this, I would advise similar caution before playing this game as I would with Euphoria as it is NOT for the faint of heart.

CW: Violence, Gore, Rape, Pedophilia, Cannibalism, Suicide, Ableism. Also SPOILERS! Read more

Amazing VGM: All American Badass (LISA: The Joyful)

LISA: The Joyful | Big Lincoln Sends you to Hell

As great as the soundtrack to LISA: The Painful was, its DLC episode LISA: The Joyful fucking OWNS it! My favorite boss theme from The Joyful is the final boss theme Brokentooth March, but the subject of this article is a pretty close second. The title is kinda weird since America doesn’t exist in Olathe but I suppose “All Olathian Badass” just doesn’t have the same flair to it.

Read more