Scratches: Director’s Cut is an updated port of an Argentinean point and click horror game, simply titled Scratches, that was originally released in 2006. The Director’s Cut of the game was originally released in 2007 and was released on Steam in 2011, only to later be removed. Looking it up, I was intrigued by what I heard about this game. There was very little that was mentioned about this game beforehand, but pretty much everything I heard was something good. Specifically what I heard that caught my attention was that it was a game that managed to scare people without including a single drop of blood. Yes this game is a T rated horror game, and not only does it have no blood, but there are not even any enemies or ways to die. Despite this, Scratches does an excellent job at building up suspense and being legitimately scary at some points.
Admittedly, I would not say it is the scariest horror game I have played, and I have not even played that many, but it does have a story that is very compelling and suspenseful. Unfortunately it is also pretty slow and takes a while to build up to where it gets really exciting, and considering that the gameplay is rather poorly handled, it means that it will not catch your attention right away. To add to this, the game is pretty short lived and somewhat uneventful. Overall Scratches is good for what it is and what it accomplishes. It manages to provide a compelling and creepy atmosphere without any violence despite being a bit slow. Read more
Note: This poem was originally posted on my Patreon account on April 17th of 2020. If you’d like to see these poems when they are first put up then please consider pledging to my patreon page. Read more
Serena is a very brief yet powerful point and click game that leaves a large emotional impact on the player. It has received a lot of support from the adventure fan community and has had some high profile people involved such as former Sierra staff member Josh Mandel, and the character Serena being voiced by Sarah Wilson, otherwise known as Pushing up Roses. This game was also the first to be developed by Senscape, who is headed by Agustin Cordes. When compared to Agustin Corde’s previous game, Scratches, Serena’s story is far more compelling and deep yet the game itself also has far less content. The one important aspect to note about Serena is that the game can be beaten in less than an hour. However, the game is free to play, and as a result, I cannot think of any reason not to recommend Serena. Read more
So we all agree Chrono Trigger is amazing, and we all agree that it’s music is also amazing. I have considered replaying it for review purposes, but something something backlog too big blah blah blah you heard it all before. So I did the next best thing and watched Chuggaaconroy’s lets play of it. I remember a time when the most subscribed lets player on Youtube actually made videos for the fun of it as opposed to making them to cash in on fads. Yes I know he only covered this game last year, but we are talking about a game about time travel so… okay fuck it, I was just feeling nostalgic… and spiteful.
I’d imagine that given my propensity towards fanservicey anime-esque games with sexy women involved, that it comes as a surprise that I haven’t played Bayonetta until recently. The major reason I haven’t played it until recently is because it originally released back in 2010 when I didn’t have a PS3 or 360. I actually acquired a copy of the Wii U version of Bayonetta 2 back around 2014 or 2015, but I never got around to playing it or many of the Wii U games I owned in general due to the fact that depression hit me pretty hard around that time, and before that I was in a phase where I was only interested in JRPGs.
I actually decided to play and review the first Bayonetta as a result of a poll I held on my now suspended Twitter account, and it was held to serve as a milestone to me gaining $50 a month through Patreon. That was over a year ago, and I am just now getting to that review. Yes I know, I am very slow. And Bayonetta is fucking amazing! Read more
Saya no Uta really is something to behold. There are so few games that are as horrifying yet also as beautiful as this one, and I’ve meant to cover a track from this game for quite some time. The most well known tracks from this game seem to be the discomforting atmospheric tracks like “schizophrenia,” but I don’t think they best represent the game in question.
This just in, this blog talks about games and not just politics! Yeah, last three posts have been political, not counting a review I deleted due to… reasons I don’t want to go into. I figure I’ve been overdue on another Amazing VGM entry as well. So picking a game at random we have… well, just look at the title. No, not every track in the game is a number, it’s just a title scheme for tracks created by artist AM3 for the game. AM3 is not very good at coming up with song titles.
Things are not going as we expected right now. After several months of the Bernie Sanders campaign building itself up and gaining traction, after Bernie became the first candidate to win all three early states in the Democratic primary, we see three candidates drop out and endorse Biden. And suddenly, Bernie is back to being the underdog, Cenk Uygur lost his primary race in a land slide, and Jessica Cisneros just barely lost to Trump’s favorite Democrat. We got smacked in the face with the crushing reality that our Democracy is only for show, and that the establishment is always one step ahead of us.
Or is it?
Asphyxia is a rather conflicting game for me. It, at first, seems like a recipe for a hit given its odd premise of being a yuri dating sim where the girls are based off of British authors from the 1800s and early 1900s (which is going to be lost on anyone who is not an English major, so I’m not going to be talking about it much). It also tells what by all means should be a very engrossing and compelling storyline with deep characters and mature themes. There is a lot to like about Asphyxia, but for once the problem with a story is not that it is shallow or amateurishly written.
Instead, much like those works of “classic” literature that we we’re forced to plow through in school, Asphyxia’s writing is plodding and stuffy. The characters do not talk like real people, there is an unnecessary amount of description put into insignificant details, and I just found myself trying to speed read through as much as I could in order to finish the game. In the end, I was curious enough about the storyline to get every ending, but it is not a game I plan to replay nor is it one I can recommend. Read more
Just now, I needed to take a look at my previous review of The Friends of Ringo Ishikawa. I needed to do so because my feelings on Lucah: Born of a Dream are similar to that game, and I don’t want people to think I’ve gotten lazy (although with my less frequent updates, that ship has probably sailed). Also similarly to The Friends of Ringo Ishikawa, I did not care for this game.
Both are unique games that clearly had a strong ambition, and both are games that I can imagine a specific niche of people enjoying, but ultimately, both games disregard some of the most important rules of game design and create something that fails to engage overall. The difference between the two games is that they abandon different rules. Ringo Ishikawa abandoned the rules that games should be fun or accessible and tried to use its abysmal gameplay as a storytelling tool.