I must say, I did not expect to be reviewing another Eminem album this soon after covering Revival. There was a four year gap between Revival and The Marshall Mathers LP 2, and there was a three year gap between The Marshall Mathers LP 2 and Recovery. Yet not even a full year has passed between the release of Revival and Kamikaze.
I had very high praises for Revival and I considered it to be one of his best albums if not THE best, but as usual for me this opinion turned out to be in the minority. Revival was among Eminem’s most panned albums since Relapse and a lot of people seemed to have hated it, and it was clear Em didn’t take it very well.
I don’t blame Em for his reaction given that Revival was meant to show him at his most vulnerable and human in a medium that is known for expecting its participants to be tough and stable. The very first track on Revival was about his fading relevance and his fears that he can’t own up to his prior legacy, and the poor reception of Revival likely didn’t alleviate those fears.
Kamikaze was clearly made in response to the poor reception of Revival and is meant to be a representation of Em going back on every bit of growth he had in the last decade or so and is instead a return to his roots. Instead of taking the high road, he decides he’s going to fire back at everyone who dissed him or talked shit about him regardless of the risks present. The title “Kamikaze” is a highly fitting title considering that this could be just as harmful to himself as it is to everyone else. He’s fully aware of just what could go wrong but has decided to go for it anyway. We will take a look at this track by track. Read more
Well here is part two of the countdown, and this is where the tracks start to get very depressing. I am talking to the point of mood altering so be sure to wait until you’re in a somber or depressed mood to listen, or don’t. Listening to these extensively has had some unpleasant effects so that’s why it took longer than expected to complete this countdown. If you missed it, part one is here. Also SPOILERS in the blurb because I can’t talk about the full significance of each song without mentioning context.
This review is going to be a bit more brief than the last hip hop album review I wrote. For these type of reviews, I usually prefer to listen to each track multiple times to properly examine them and to actually purchase the album in question in order to hear it in higher quality than on a Youtube upload. I cannot nor do I want to do that for this album, and I plan to express why.
And before I do that, I’m going to address the obvious elephant in the room. Yes I am a fan of Eminem and wrote a 5000+ word piece defending one of his most panned albums, and I stand by that. I do still plan to get around to writing about Kamikaze but I decided to listen MGK’s latest work. Read more
Ah yes, three of my most shilled games in a row for Amazing VGM. I’d normally do something from Saya no Uta since I just reviewed it but I kinda hinted at this one last week so I better follow through. Anyway I’ve been meaning to touch on this one for a while since it really is an amazing track from an amazing game.
NieR is known for its outstanding music after all, so it’s time to cover a track that was good enough they made it twice! Starting with the original. Read more
As great as the soundtrack to LISA: The Painful was, its DLC episode LISA: The Joyful fucking OWNS it! My favorite boss theme from The Joyful is the final boss theme Brokentooth March, but the subject of this article is a pretty close second. The title is kinda weird since America doesn’t exist in Olathe but I suppose “All Olathian Badass” just doesn’t have the same flair to it.
Well it’s that time of the year everyone… no not that one. I mean the other that time of the year! Either way, my Amazing VGMs are all going to be Halloween themed for this month to fit the theme. I figure I’ll start with an Undertale track this week since I just put my review of it up and because I’m likely not going to be in the mood to cover this particular track for a while afterwards. Read more
It’s been a little while since I covered a track from NieR as an amazing VGM hasn’t it? The last one I did was “Weight of the World” from NieR Automata and that was at the end of December of last year. This time, I’m going to cover one of the more underutilized and thus underrated boss tracks in the original game; “Gods Bound By Rules.” Read more
Expect me to do a lot of stanning for LISA: The Painful in the future. It really is a work of genius in just how it conveys the painful nature of Brad’s existence through its gameplay. But this piece isn’t about the gameplay, it’s about the music that accompanies part of the gameplay. Specifically this piece plays during boss battles against former friends. SPOILERS below! Read more
Get all your Undertale references out of the way now because lord knows this blog has enough of them as it is!
Many of the Final Fantasy spinoffs tend to be overlooked. Most of us are looking for the best of the best when we seek out new games, and thus most would assume that the mainline entries are better than the spinoffs. When a series has been milked as much as Final Fantasy has, you know that the games that aren’t numbered entries may be forgotten in the conscience of the mainstream gaming community. I mean sure the first Final Fantasy Tactics is remembered as a classic but you don’t hear as much about the two sequels; Tactics Advance and Tactics A2: Grimoire of the Rift.
People disliked Tactics Advance because it wasn’t as edgy or “mature” as the original since it dealt with a bunch of school children being transported to a fantasy world as opposed to the politically driven nature of the original Tactics, but I find myself more attached to Tactics Advance than the original. Granted this could be because I only saw the original Tactics through a let’s play which makes it harder to keep track of things, and it could be possible that once I rectify this I may change my mind, but the point is that I like Tactics Advance. Read more
This week’s VGM is a special track. This track has an especially notable significance to me in not only how it sounds, but also what it represents. In the past I have often made Amazing VGM pieces that connect to me personally in regards to my very own struggles in life, I believe that games have a very significant personal element to them that many are often discouraged from sharing for not being “objective,” and I feel this greatly undermines the medium as a whole.
Anyway this week’s track is from Persona 3, a flawed game in many ways but nonetheless one of my all time favorites. I have been replaying this game and I’ve just about reached the end of The Journey portion of the game. While I find the overall musical output of Persona 3 rather average, there are some standout tracks that have a very deep and meaningful impact when you hear them. This track is one of those.