Surprise surprise, an Amazing VGM from a game I just reviewed. Really keeping you on your toes aren’t I? Well what can I say, I don’t plan most of these out in advance and instead just go with what I’m most feeling, and I’m feeling Banjo-Kazooie right now. It also helps that Banjo-Kazooie has an amazing soundtrack, and there will likely be plenty of themes from this game for future entries, but I may as well start with the one that sets everything else up. Read more
Yeah I kinda fell out of the habit of making Amazing VGM Pieces haven’t I? The last one I did was for The Dark Colossus Destroys All from NieR and that was back in October. Perhaps I should capitalize on the game I just reviewed then? Dragon Quest II it is! Particularly I would like to go with the two world map themes and their variations. The first of these tracks is titled “Distant Journey” (Also sometimes referred to as “A Lonely Youth”) and plays on the world map with an incomplete party and is thus the first one you here.
I must say, I did not expect to be reviewing another Eminem album this soon after covering Revival. There was a four year gap between Revival and The Marshall Mathers LP 2, and there was a three year gap between The Marshall Mathers LP 2 and Recovery. Yet not even a full year has passed between the release of Revival and Kamikaze.
I had very high praises for Revival and I considered it to be one of his best albums if not THE best, but as usual for me this opinion turned out to be in the minority. Revival was among Eminem’s most panned albums since Relapse and a lot of people seemed to have hated it, and it was clear Em didn’t take it very well.
I don’t blame Em for his reaction given that Revival was meant to show him at his most vulnerable and human in a medium that is known for expecting its participants to be tough and stable. The very first track on Revival was about his fading relevance and his fears that he can’t own up to his prior legacy, and the poor reception of Revival likely didn’t alleviate those fears.
Kamikaze was clearly made in response to the poor reception of Revival and is meant to be a representation of Em going back on every bit of growth he had in the last decade or so and is instead a return to his roots. Instead of taking the high road, he decides he’s going to fire back at everyone who dissed him or talked shit about him regardless of the risks present. The title “Kamikaze” is a highly fitting title considering that this could be just as harmful to himself as it is to everyone else. He’s fully aware of just what could go wrong but has decided to go for it anyway. We will take a look at this track by track. Read more
Well here is part two of the countdown, and this is where the tracks start to get very depressing. I am talking to the point of mood altering so be sure to wait until you’re in a somber or depressed mood to listen, or don’t. Listening to these extensively has had some unpleasant effects so that’s why it took longer than expected to complete this countdown. If you missed it, part one is here. Also SPOILERS in the blurb because I can’t talk about the full significance of each song without mentioning context.
This review is going to be a bit more brief than the last hip hop album review I wrote. For these type of reviews, I usually prefer to listen to each track multiple times to properly examine them and to actually purchase the album in question in order to hear it in higher quality than on a Youtube upload. I cannot nor do I want to do that for this album, and I plan to express why.
And before I do that, I’m going to address the obvious elephant in the room. Yes I am a fan of Eminem and wrote a 5000+ word piece defending one of his most panned albums, and I stand by that. I do still plan to get around to writing about Kamikaze but I decided to listen MGK’s latest work. Read more
Ah yes, three of my most shilled games in a row for Amazing VGM. I’d normally do something from Saya no Uta since I just reviewed it but I kinda hinted at this one last week so I better follow through. Anyway I’ve been meaning to touch on this one for a while since it really is an amazing track from an amazing game.
As great as the soundtrack to LISA: The Painful was, its DLC episode LISA: The Joyful fucking OWNS it! My favorite boss theme from The Joyful is the final boss theme Brokentooth March, but the subject of this article is a pretty close second. The title is kinda weird since America doesn’t exist in Olathe but I suppose “All Olathian Badass” just doesn’t have the same flair to it.
Well it’s that time of the year everyone… no not that one. I mean the other that time of the year! Either way, my Amazing VGMs are all going to be Halloween themed for this month to fit the theme. I figure I’ll start with an Undertale track this week since I just put my review of it up and because I’m likely not going to be in the mood to cover this particular track for a while afterwards. Read more
It’s been a little while since I covered a track from NieR as an amazing VGM hasn’t it? The last one I did was “Weight of the World” from NieR Automata and that was at the end of December of last year. This time, I’m going to cover one of the more underutilized and thus underrated boss tracks in the original game; “Gods Bound By Rules.” Read more
Expect me to do a lot of stanning for LISA: The Painful in the future. It really is a work of genius in just how it conveys the painful nature of Brad’s existence through its gameplay. But this piece isn’t about the gameplay, it’s about the music that accompanies part of the gameplay. Specifically this piece plays during boss battles against former friends. SPOILERS below! Read more