Damn, it’s already been close to five months since I wrote my review of Bayonetta. Time seems to pass by so damn quickly without me even realizing it. So much shit has happened since then, but I only mentioned that because I needed a segue. So yes, Bayonetta has an absolutely superb musical score. And this track is the first of many from this game I hope to cover at some point.
I’d imagine that given my propensity towards fanservicey anime-esque games with sexy women involved, that it comes as a surprise that I haven’t played Bayonetta until recently. The major reason I haven’t played it until recently is because it originally released back in 2010 when I didn’t have a PS3 or 360. I actually acquired a copy of the Wii U version of Bayonetta 2 back around 2014 or 2015, but I never got around to playing it or many of the Wii U games I owned in general due to the fact that depression hit me pretty hard around that time, and before that I was in a phase where I was only interested in JRPGs.
I actually decided to play and review the first Bayonetta as a result of a poll I held on my now suspended Twitter account, and it was held to serve as a milestone to me gaining $50 a month through Patreon. That was over a year ago, and I am just now getting to that review. Yes I know, I am very slow. And Bayonetta is fucking amazing! Read more
TW: Mentions of misogyny, lesbophobia, biphobia, and transphobia.
I have been meaning to touch upon the subject of objectification for a very long time. I have mentioned it in a lot of my work and I have made it known that it is a very personal subject to me, and it has often served as somewhat of a berserk button of mine. By far the most viewed article of mine was a response to then Destructoid writer Jed Whitaker’s own article about Valkyrie Drive: Bhikkuni, that claimed it was “Dynasty Warriors for pedophiles.” To say that I was not happy with it is like saying that the Holocaust was a bit of a bummer. That article of mine is perhaps the angriest piece I have ever written (and that I ever will).
What particularly enraged me was how patronizing and condescending that Jed was to his own target audience and how little respect he had, in addition to hideously homophobic and sexist implications present throughout, despite the fact that he was clearly trying to be a feminist ally. Due to not wanting to be lumped in with the gamer bro AIW crowd, I tried to make my piece sound as feministy as possible and tried to address precisely WHY Jed Whitaker’s views were as harmful as they are. It seemed to have the opposite effect as it actually became very well received among anti-feminist GamerGate supporters, enough so that it was even retweeted by Ian Miles Cheong (which is probably how it got over 1300 total views when most of my pieces don’t even break 100).