Echo Tokyo: An Intro is a visual novel that is meant to serve as the introduction to a larger series. Specifically, it is meant to be the origin story of two characters for an upcoming open world game known as Echo Tokyo, at the time of writing of course. While I can say that Echo Tokyo itself does seem like a fairly interesting game if it is done well, the mentality of Echo Tokyo: An Intro serving as on add on really shows. That is not to say that Echo Tokyo: An Intro is a bad game by any means, but at the same time, I’m only interested in Echo Tokyo as a whole because it is supposedly going to be different.Read more
Lightning Warrior Raidy is a hentai dungeon crawler that was originally released back in 1994, and was stored on five floppy disks. As this site’s arch nemesis HCBailly would say, this was high tech stuff back in the day. If this game’s Jast USA store page is correct, this is also the first “all-female yuri fantasy dungeon crawler RPG.” I don’t know why they say that though, since there are not only male characters in this game, but there are sex scenes involving men. From what I could gather, Lightning Warrior Raidy is considered a yuri title because of the amount of lesbian sexual content, and I guess back in the 90s that is something that is noteworthy.Read more
God damn, I wrote my review of You Have to Win the Game six years ago. I was either 19 or 20 when I wrote that review. More time has passed since I wrote that review than has passed between the original release of You Have to Win the Game and its sequel, Super Win the Game. No, that’s not a jab saying that the game was made too quickly after the original, it’s a two year gap. It’s just… time goes by so slow yet so fast.
So I recently decided to check out Super Win the Game to see if it’s any better than its predecessor. Super Win the Game is, in fact, better than You Have to Win the Game. While neither game is a must play by any means, it is nice to see that a lot of the issues I had with the previous game were resolved in this one.Read more
I’ve always had some level of curiosity towards retro Japanese games that were never localized, especially those by major developers before they got big. It’s hard to think of a more household name than Nintendo. After all, a lot of Nintendo’s major series have started back on the NES and are still going strong to this day. I mean, Mario, Zelda, and Metroid, no context needed.
But not every classic Nintendo title went on to get tons of sequels and get milked into oblivion. Kid Icarus got one Gameboy sequel and then a reboot decades laterbefore fading into obscurity again despite the reboot being very successful. Punch-Out got a SNES sequel that no one cared about, and then a Wii reboot decades later that flopped. StarTropics got one sequel then nothing. But at least these games were localized (except for StarTropics which was made in the US and not released in Japan).Read more
CW: References to rape and slavery as plot devices.
Sometimes, the games I review make me answer some unexpected questions. Given that my reviews of eroge always end up among the most viewed of my work, I knew I would be taking a look at this series eventually, and I always knew that I would have some difficulties with it. In this case, I don’t mean “difficulty” as in it being hard to play, but more so hard for me to review.
I’m sure that most of you are well aware that I’m a feminist, and that my feminist views have largely impacted how I perceive the world around me. If I’m being honest, I’m usually hesitant to bring it up with most normies because they either know next to nothing about it and thus don’t grasp the significance, or they are one of the many who have been groomed by right wingers to believe that feminism amounts to what they see on Buzzfeed or Youtube cringe compilations.Read more
Home is the first game developed by indie developer Benjamin Rivers, and was originally released in 2012. It is a short horror title made with the premise of letting players choose their own interpretations of the game’s events. I am unsure how to feel about this approach to storytelling. On one hand, a good work of fiction should always involve some form of subtlety and allowing for multiple interpretations gives a work more versatility. On the other hand, actively trying to invoke “multiple interpretations” oftentimes comes across as if the writer wants to have an excuse to not finish writing the plot and addressing every plot point.Read more
I really should have played this game a lot sooner than I did. I’ve commonly listed EarthBound as one of, if not my favorite games of all time. It’s hard to believe that my review of EarthBound was only the 2nd review I ever wrote, and yet I did not get around to even playing the equally amazing sequel until 7 years later.
To be honest, I may have just played MOTHER 3 for the first time fairly recently, but I have seen a lets play of it before. Hell I was actually introduced to this series through the lets plays of Chuggaaconroy and NintendoCapriSun, which I just realized were posted over a decade ago. Hell now that I think about it, I think I first saw those LPs almost a decade ago. Read more
I have always had a history with the Sonic the Hedgehog series. I grew up with both of the Sonic Adventure titles and I formed a connection with both of them early on. I also was nostalgic for the Genesis games seeing as how I played them through Sonic Mega Collection. I did enjoy games like Sonic Heroes, Secret Rings, and Unleashed despite the poor reception they received, and was lucky enough to have never played the infamous Sonic 06 due to not having either console it was on. Despite this, I missed out on Sonic the Hedgehog 4 when it was originally released on the WiiWare, Xbox Live Arcade, and Playstation Store in 2010, as I fell out of the Sonic series around that time despite it supposedly being where the series got good again for a short while. Read more
I have a strange fascination with the “meta-horror” sub genre as of late. It is one thing to scare the player by having big freaky monsters jump out at them from behind the bushes and go “OOGEDY BOOGEDY BOOGOLY,” but it’s another to use the player’s connection to something from their childhood to hit them on a personal level. It is because of this that I spent more time than justified reading those stupid gaming creepypastas that were about as scary as Donald Trump trying to walk up a flight of stairs without complaining.
I have already covered a fair few games based around this sort of premise, and despite the fact that it isn’t exactly something that’s never been done before, I do find that there is enough unique variance that makes me want to check all of these out. Duck Season is the most recent of these that I have tried out, and it was definitely something. Read more
Serena is a very brief yet powerful point and click game that leaves a large emotional impact on the player. It has received a lot of support from the adventure fan community and has had some high profile people involved such as former Sierra staff member Josh Mandel, and the character Serena being voiced by Sarah Wilson, otherwise known as Pushing up Roses. This game was also the first to be developed by Senscape, who is headed by Agustin Cordes. When compared to Agustin Corde’s previous game, Scratches, Serena’s story is far more compelling and deep yet the game itself also has far less content. The one important aspect to note about Serena is that the game can be beaten in less than an hour. However, the game is free to play, and as a result, I cannot think of any reason not to recommend Serena. Read more